I was born and educated in Germany. My interest in
photography started when I was about seven years
old and saw a B&W image emerging in the developer
of my father's primitive darkroom. My first camera
was a simple box camera handed down from my grandmother,
followed by a post-war 6x6 rangefinder from my father.
As a young adult, my family and I immigrated to the
US, where I worked for the Ford Motor Company and
received a Masters Degree in Manufacturing Engineering
from Lawrence Technological University in Michigan.
While living in the US, my interest in photography
grew slowly into a passion, when I met accomplished
photographers like Howard Bond and Phil Davies, who
taught me the basics of fine printing and the Zone
System. Further photographic education followed,
including a workshop with John Sexton in California,
which ended with an unforgettable visit to Ansel
Adams' darkroom.
My choice of equipment has become more sophisticated
since the box camera, but B&W fine-art photography
is still my medium of choice, and I enjoy performing
all darkroom tasks myself, including the preparation
and utilization of digital negatives for contact
printing. To me, an attractive presentation of the
image is just as important as the photography itself.
Consequently, I prepare all mounting, matting and
framing work to archival gallery standards.
Since 1999, I'm an Associate of The Royal Photographic
Society of Great Britain (RPS) and a Graduate Image
Scientist of the RPS since 2007. My work has been
exhibited internationally from private galleries
to the London Salon of Photography. I have been involved
with adult education for 20 years, have written for
Camera & Darkroom, Black & White Photography,
View Camera magazine and authored the book 'Way Beyond
Monochrome' together with my friend and colleague
Chris Woodhouse. Now back in Germany, more publications
are being prepared and published, including a recently
released and detailed section on archival processing
in the new 4th edition of 'The Focal Encyclopedia
of Photography' and an article on combining digital
and analog photography to 'hybrid printing' in Fine
Art Printer. More is on the way. |